盖勒特·斯图尔特(Garrett Stewart)是美国当代优秀的文学批评家之一，美国艺术与科学院(American Academyof Arts andSciences)院士。斯图尔特1967年毕业于南加利福尼亚大学，1971年在耶鲁大学获得博士学位，研究领域为英国文学。他的博士论文《狄更斯与想象实验》(Dickensand the JP：Trials ofImagination)经修改，由哈佛大学出版社于1974年出版。斯图尔特曾先后仟教于波士顿大学、加利福尼亚大学圣芭芭拉分校，目前是爱荷华大学英语系的教授。从1993年至今，斯图尔特在爱荷华大学教授小说、电影、文本理论等课程。除本书外，他的学术论著还有《阅读声音：文学与声文本》(ReadingVoices：Literature and the Phonotext)(1990)、《阅读之貌：书、画...(展开全部)

Journey through time and space with this graphic novel history of the science fiction genre, from Jules Verne, Jonathan Swift, and Mary Shelley to William Gibson and Philip K. Dick to Ken Liu and Ted Chiang, and beyond. Trace the progress of SF through modern times and learn why key figures and inventors like Thomas Edison and Elon Musk have looked to science fiction to predict...(展开全部)

贾森·帕金（Jason Pargin，1975— ），笔名王大卫，美国惊悚、科幻小说家，《纽约时报》畅销书作者。2001年身为律师事务所员工的贾森•帕金在网络上连载处女作恐怖小说《最后约翰死了》，获得大量读者喜爱，由此被出版社挖掘，该书出版后不久便被改编成同名邪典电影。之后贾森•帕金在幽默网站Cracked.com担任高级编辑。他的作品常带有诙谐、讽刺、想象力天马行空等特点，极具个人特色。代表作有《最后约翰死了》《未来城市与花哨西装》《本书充满蜘蛛》等，其中《未来城市与花哨西装》荣获美国图书馆协会颁发的亚历克斯奖。

In this strikingly original treatment of the rise of the novel, Nancy Armstrong argues that the novels and non- fiction written by and for women in eighteenth- and nineteenth-century England paved the way for the rise of the modern English middle class. Most critical studies of the novel mistakenly locate political power exclusively in the official institutions of state, ignori...(展开全部)

In this strikingly original treatment of the rise of the novel, Nancy Armstrong argues that the novels and non- fiction written by and for women in eighteenth- and nineteenth-century England paved the way for the rise of the modern English middle class. Most critical studies of the novel mistakenly locate political power exclusively in the official institutions of state, ignori...(展开全部)

How to Read the Victorian Novel provides a unique introduction to the genre. Using examples from the classics, like The Pickwick Papers, David Copperfield, Jane Eyre, The Woman in White, and Middlemarch, it demonstrates just how unfamiliar their familiarity is. The book attempts to break free of the sense that the Victorian novel is somehow old fashioned, moralizing, and formal...(展开全部)

鲁迅《中国小说史略》英译本，译者杨宪益Yang Hsien-Yi 、戴乃迭 Gladys Yang，外文出版社1976年第三版（1959年第一版，1964年第二版）。

A History of Modern Chinese Fiction was first published in 1961 and is a classic in the study of twentieth-century Chinese fiction. It traces the development of the form from the Literary Revolution in 1917 to the early 1960s. C. T. Hsia delved into the works of Lu Hsün, Pa Chin, Lao Shê, Eileen Chang and Ch'ien Chung-shu, all of whom were important modern Chinese writers. In H...(展开全部)